“A deeply soulful novel that comprehends love and cruelty, and separates the big people from the small of heart, without ever losing sympathy for those unfortunates who don’t know how to live properly.” —Zadie Smith One of the most important and enduring books of the twentieth century, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature. The audio is performed by the legendary Ruby Dee.

Their Eyes Were Watching God

Florida 1928. In einer einzigen Nacht erzählt Janie ihrer besten Freundin Pheoby wie sie aufbrach, ein anderes Leben zu führen, den viel jüngeren Tea Cake traf, endlich das Glück fand, und was geschah, als der große Hurrikan kam … Von ihrer Reise kehrt Janie als ein neuer Mensch zurück - und mit ihr alle, die ihre Geschichte hören. Der Klassiker aus den USA, zum 120. Geburtstag der Autorin neu übersetzt, gehört zu den schönsten, traurigsten und herzergreifendsten Liebesgeschichten, die je geschrieben wurden.

edition fünf

Vor ihren Augen sahen sie Gott

Als Janie Crawford op haar zestiende betrapt wordt bij het zoenen van de nietsnut Johnny Taylor huwelijkt haar oma haar uit aan een oude man met een flinke hoeveelheid land. Na twee ongelukkige huwelijken lijkt Janie bij haar derde man het geluk te vinden, maar ook dat is van korte duur. In het verhaal van Janie, haar echtgenoten en haar voormoeders laat Zora Neale Hurston zien hoe het recente slavernijverleden in de vroege twintigste eeuw nog doorwerkte in de relaties tussen man en vrouw en tussen Zwart en wit in de Zuidelijke Verenigde Staten. Hoewel de roman uit 1937 aanvankelijk op gemengde reacties stuitte, kwam er in de late twintigste eeuw een herwaardering op gang. Inmiddels geldt En ze keken naar God als een van de invloedrijkste Amerikaanse romans van de twintigste eeuw, en is het een nog veelgelezen klassieker.

En ze keken naar God

From ‘one of the greatest writers of our time’ (Toni Morrison) – the author of Their Eyes Were Watching God and Barracoon – a collection of remarkable short stories from the Harlem RenaissanceWith a foreword by Tayari Jones, author of An American Marriage‘Genius’ Alice Walker ‘Rigorous, convincing, dazzling’ Zadie Smith on Their Eyes Were Watching God In 1925, college student Zora Neale Hurston – the sole black student at Barnard College, New York – was living in the city, ‘desperately striving for a toe-hold on the world.’ During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognised as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s ‘lost’ Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humour, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

Hitting a Straight Lick with a Crooked Stick

‘One of the greatest writers of our time.’ Toni Morrison ‘You Don’t Know Us Negroes adds immeasurably to our understanding of Hurston … her words make it impossible for readers to consider her anything but one of the intellectual giants of the 20th century.’ The New York Times Book Review With an introduction by New York Times bestselling author Henry Louis Gates Jr. and Genevieve West The first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture—"modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion.” White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity and Hurston made it her job to lift the veil and reveal the heart and soul of the race. These pages reflect Hurston as the controversial figure she was – someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor. Demonstrating the breadth of this revered and influential writer’s work, You Don’t Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and mind.

You Don’t Know Us Negroes and Other Essays

“Warm, witty, imaginative.... This is a rich and winning book.”—The New Yorker Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature’s most compelling and influential authors. Hurston’s powerful novels of the South—including Jonah’s Gourd Vine and, most famously, Their Eyes Were Watching God—continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality. First published in 1942, Dust Tracks on a Road is Hurston’s personal story, told in her own words. The Perennial Modern Classics Deluxe edition includes an all-new forward by Maya Angelou, an extended biography by Valerie Boyd, and a special section featuring the contemporary reviews that greeted the book’s original publication.

Dust Tracks on a Road

Tell My Horse has descriptive copy which is not yet available from the Publisher.

Tell My Horse

Jonah's Gourd Vine has descriptive copy which is not yet available from the Publisher.

Jonah's Gourd Vine

Moses, Man of the Mountain has descriptive copy which is not yet available from the Publisher.

Moses, Man of the Mountain

From beloved African American folklorist Zora Neale Hurston comes a moving adaptation by National Book Award winner and #1 New York Times bestselling author of How to Be an Antiracist and Antiracist Baby, Ibram X. Kendi. Magnolia Flower follows a young Afro Indigenous girl who longs for freedom. Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart. The acclaimed writer of several American classics, Zora Neale Hurston wrote this stirring folktale brimming with poetic prose, culture, and history. It was first published as a short story in The Spokesman in 1925 and later in her collection Hitting a Straight Lick with a Crooked Stick (2020). Tenderly retold by #1 New York Times bestselling and National Book Award-winning author Ibram X. Kendi, Magnolia Flower is a story of a transformative and radical devotion between generations of Indigenous and Black people in America. This book reminds us that there is no force strong enough to stop love.

Magnolia Flower

From “one of the greatest writers of our time” (Toni Morrison)—the author of Barracoon and Their Eyes Were Watching God—a collection of remarkable stories, including eight “lost” Harlem Renaissance tales now available to a wide audience for the first time. New York Times’ Books to Watch for Buzzfeed’s Most Anticipated Books of 2020 Newsweek’s Most Anticipated Books Forbes.com’s Most Anticipated Books of 2020 E!’s Top 2020 Books to Read Glamour’s Best Books In 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

""Simply the most exciting book on black folklore and culture I have ever read."" --Roger D. AbrahamsMules and Men is the first great collection of black America's folk world. In the 1930's, Zora Neale Hurston returned to her ""native village"" of Eatonville, Florida to record the oral histories, sermons and songs, dating back to the time of slavery, which she remembered hearing as a child. In her quest, she found herself and her history throughout these highly metaphorical folk-tales, ""big old lies,"" and the lyrical language of song. With this collection, Zora Neale Hurston has come to reveal'and preserve'a beautiful and important part of American culture. Zora Neale Hurston (1901-1960) was a novelist, folklorist, anthropologist and playwright whose fictional and factual accounts of black heritage are unparalleled. She is also the author of Tell My Horse, Their Eyes Were Watching God, Dust Tracks on a Road, and Mule Bone. Ruby Dee, a member of the Theatre Hall of Fame, starred on Broadway in the original productions of A Raisin in the Sun and Purlie Victorious, and was featured in Spike Lee's Do the Right Thing. She is also an award-winning author and the producer of numerous television dramas.

Mules and Men

A major literary event: a never-before-published work from the author of the American classic Their Eyes Were Watching God that brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last known survivors of the Atlantic slave trade—abducted from Africa on the last ""Black Cargo"" ship to arrive in the United States. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon brilliantly illuminates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

Barracoon

"Their Eyes Were Watching God" by Zora Neale Hurston is a compelling narrative that traces the journey of Janie Crawford, an African American woman navigating love, identity, and self-discovery in the early 20th-century South. Set against the backdrop of the Harlem Renaissance, the novel vividly captures the complexities of Janie's life as she embarks on a quest for autonomy and fulfillment. Through rich prose and vibrant storytelling, Hurston explores themes of race, gender, and societal expectations. Janie's narrative unfolds as a powerful exploration of resilience, personal growth, and the enduring quest for love and independence in a world marked by profound social change. This literary masterpiece continues to resonate with readers for its timeless portrayal of the human spirit's triumph over adversity.

In the first middle grade offering from Zora Neale Hurston and Ibram X. Kendi, young readers are introduced to the remarkable and true-life story of Cudjo Lewis, one of the last survivors of the Atlantic human trade, in an adaptation of the internationally bestselling and critically acclaimed Barracoon. This is the life story of Cudjo Lewis, as told by himself. Of the millions of men, women, and children transported from Africa to America to be enslaved, eighty-six-year-old Cudjo Lewis was then the only person alive to tell the story of his capture and bondage—fifty years after the Atlantic human trade was outlawed in the United States. Cudjo shared his firsthand account with legendary folklorist, anthropologist, and writer Zora Neale Hurston. Adapted with care and delivered with age-appropriate historical context by award-winning historian Ibram X. Kendi, Cudjo’s incredible story is now available for young readers and emerging scholars. This poignant work is an invaluable contribution to our shared history and culture.

Barracoon: Adapted for Young Readers

A never before published novel from beloved author Zora Neale Hurston, revealing the historical Herod the Great—not the villain the Bible makes him out to be but a religious and philosophical man who lived a life of valor and vision. In the 1950s, as a continuation of Moses, Man of the Mountain, Zora Neale Hurston penned a historical novel about one of the most infamous figures in the Bible, Herod the Great. In Hurston’s retelling, Herod is not the wicked ruler of the New Testament who is charged with the “slaughter of the innocents,” but a forerunner of Christ—a beloved king who enriched Jewish culture and brought prosperity and peace to Judea. From the peaks of triumph to the depths of human misery, the historical Herod “appears to have been singled out and especially endowed to attract the lightning of fate,” Hurston writes. An intimate of both Marc Antony and Julius Caesar, the Judean king lived during the first century BCE, in a time of war and imperial expansion that was rife with political assassinations and bribery, as the old world gave way to the new. Portraying Herod within this vivid and dynamic world of antiquity, little known to modern readers, Hurston’s unfinished manuscript brings this complex, compelling, and misunderstood leader fully into focus. Hurston shared her findings about Herod’s rise, his reign, and his waning days in letters to friends and associates. Text from three of these letters concludes the manuscript in an intimate way. Scholar-Editor Deborah Plant’s ""Commentary: A Story Finally Told"" assesses Hurston’s pioneering work and underscores Hurston’s perspective that the first century BCE has much to teach us and that the lens through which to view this dramatic and stirring era is the life and times of Herod the Great.

The Life of Herod the Great

African-American folklore was Zora Neale Hurston's first love. Collected in the late 1920's Every Tongue Got to Confess, from the celebrated author of Their Eyes Were Watching God, is published here for the first time, beautifully performed by Ruby Dee and Ossie Davis. Hilarious, bittersweet, and often saucy, these folk-tales provide a verdant slice of African-American life in the rural South at the turn of the twentieth century. They capture the heart and soul of the vital, independent, and creative community that so inspired Zora Neale Hurston. In Every Tongue Got to Confess, Hurston records, with uncanny precision, the voices of ordinary people -and no two actors better capture this world than Ruby Dee and Ossie Davis. They pay tribute to the richness of Black vernacular -- its crisp self-awareness, singular wit, and improvisational wordplay. These folk-tales reflect the joys and sorrows of the African-American experience, celebrate the redemptive power of storytelling, and showcase the continuous presence in America of an Afticanized language that flourishes to this day. Performed by Ruby Dee and Ossie Davis

Every Tongue Got to Confess

Abducted from Africa, sold in America. A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker. This account illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade. In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis, who was abducted from Africa on the last "Black Cargo" ship to arrive in the United States. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture. “A deeply affecting record of an extraordinary life” – Daily Telegraph

'The Life of Herod The Great – like Hurston herself – is a masterpiece, a miracle, and a marvel. In other words, treasure for the whole world' Tayari Jones, author of An American Marriage'A bracing, livening audio experience…Underwood and Miles read with great gusto and conviction, mirroring Hurston's ability to weave folklore and mythology into story, and to animate figures both familiar to us and utterly unknown' Financial Times 🕊️ In the 1950s Zora Neale Hurston penned a historical novel reconsidering the life of one of the most well-known biblical figures, Herod the Great. That novel was never published in Hurston's lifetime. Now for the first time, it is brought to glorious life with commentary from scholar Deborah G. Plant. Far from his villainous portrayal in the New Testament, Hurston casts Herod as a forerunner of Christ, a beloved king who enriched Jewish culture and brought prosperity and peace to Judea. An intimate of both Marc Antony and Julius Caesar, the Judean king lived in a time of war and imperial expansion that was rife with political assassinations and bribery, as the old world gave way to the new. By bringing this complex, compelling and oft misunderstood leader into shining focus, The Life of Herod the Great invites the reader to reassess history and the world as they know it. What was in Herod’s time is and will be again. Zora Neale Hurston’s never-before-published novel is a lantern of understanding that might be held up to the present or the future, and nothing short of a masterpiece. A never-before-published novel from beloved author Zora Neale Hurston, revealing the historical Herod the Great – not the demon the Bible makes him out to be but a religious and philosophical man who lived a life of adventure. 🕊️ Praise for Zora Neale Hurston: 'Zora Neale was a knockout in her life' MAYA ANGELOU 'Their Eyes Were Watching God is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece of prose, as emotionally satisfying as it is impressive. There is no novel I love more' ZADIE SMITH 'To the last page that fills the soul with tears, Hurston's novel delivers. To me, it is also a welcome reminder that books are democratic, subversive and life-changing' THE TIMES

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