Eugénie Grandet, first published in 1833, is one of Honoré de Balzac's finest novels, and one of the first works in what would become his large novel series titled La Comédie Humaine.
Set in a provincial town in post-Revolutionary France, the story deals with money, avarice, love, and obsession.
A wealthy old miser must manage the passion of his innocent daughter, who later has to navigate on her own the treacherous ways of a world in which money is ”the only god.”
Balzac's meticulous use of psychological and physical detail influenced the development of 19th-century literary realism, in the hands of writers such as Dickens, Dostoyevsky, Flaubert, and Henry James.
Honoré de Balzac (1799-1850) was a French novelist and playwright. His magnum opus was a sequence of short stories, La Comédie humaine. Many of Balzac's works have been made into or have inspired films, and they are a continuing source of inspiration for writers, filmmakers and critics.
Before and during his career as a writer, he attempted to be a publisher, printer, businessman, critic, and politician; he failed in all of these efforts. La Comédie humaine reflects his real-life difficulties, and includes scenes from his own experience.