Contents: Washington Irving. The Legend of Sleepy HollowEdgar Allan Poe. The Gold BugHerman Melville. Bartleby, the ScrivenerBret Harte. The Luck of Roaring CampLeo Tolstoy. The Death of Ivan Ilyich Fyodor Dostoevsky. The Dream of a Ridiculous ManRudyard Kipling. Rikki-Tikki-TaviCharlotte Perkins Gilman. The Yellow WallpaperAnton Chekhov. The Lady with the DogD.H. Lawrence. The Prussian OfficerJames Joyce. ArabyIvan Turgenev. First LoveNikolay Gogol. The Mantle Mikhail Bulgakov. The Embroidered TowelIvan Bunin. The Gentleman from San FranciscoJoseph Sheridan Le Fanu. CarmillaO.Henry. The Gift of the MagiAmbrose Gwinnett Bierce. An Occurrence at Owl Creek BridgeRobert Louis Stevenson. The Strange Case of Dr. Jekyll and Mr. HydeH.G. Wells. The Magic ShopW.W. Jacobs. The Monkey's PawArthur Conan Doyle. His Last BowHenry James. Daisy MillerH.P. Lovecraft. The Call of CthulhuAlexsandr Pushkin. The Queen of SpadesG.K. Chesterton. The Blue Cross

25+ The World's Greatest Short Stories. Vol. 1

Women in Love - David Herbert Lawrence - "Women in Love" is a novel by British author D. H. Lawrence published in 1920. It follows the loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist, pursues a destructive relationship with Gerald Crich, an industrialist. Lawrence contrasts this pair with the love that develops between Ursula and Rupert Birkin, an alienated intellectual who articulates many opinions associated with the author. The emotional relationships thus established are given further depth and tension by an intense psychological and physical attraction between Gerald and Rupert. The novel ranges over the whole of British society before the time of the First World War. Ursula's character draws on Lawrence's wife Frieda, and Gudrun on Katherine Mansfield, while Rupert Birkin has elements of Lawrence himself, and Gerald Crich of Mansfield's husband, John Middleton Murry.

Women in Love - David Herbert Lawrence

David Herbert Lawrence (1885-1930) was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. Born in Eastwood, Nottinghamshire, on September 11, 1885, his modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels — Sons and Lovers (1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928)— were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language. Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured contemporary persecution and public misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, English novelist and critic Edward Morgan Forster challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, English literary critic Frank Raymond Leavis also championed both his artistic integrity and his moral seriousness. From Lawrence's fundamental literary critical work Studies in Classic American Literature, published in 1923, we have selected his important study on Benjamin Franklin, which we offer to our readers today. It is a biting and sarcastic text, typical of Lawrence's style, from which the figure of Franklin does not emerge intact and free from heavy criticism. According to Lawrence, «Benjamin, in his sagacity, knew that the breaking of the old world was a long process. In the depths of his own underconsciousness he hated England, he hated Europe, he hated the whole corpus of the European being. He wanted to be American. But you can't change your nature and mode of consciousness like changing your shoes. It is a gradual shedding. Years must go by, and centuries must elapse before you have finished. Like a son escaping from the domination of his parents. The escape is not just one rupture. It is a long and half-secret process. So with the American. He was a European when he first went over the Atlantic. He is in the main a recreant European still. From Benjamin Franklin to Woodrow Wilson may be a long stride, but it is a stride along the same road. There is no new road. The same old road, become dreary and futile. Theoretic and materialistic».

Benjamin Franklin

A Bildungsroman (German expression meaning: "novel of formation, education, culture"), novel of formation, novel of education, or coming-of-age story is a literary genre that focuses on the psychological and moral growth of the protagonist from youth to adulthood (coming of age), in which character change is extremely important. This Golden Deer Classics collection comprises the following classic coming-of-age stories: - The History of Tom Jones, A Foundling by Henry Fielding - Candide by Voltaire - Emma by Jane Austen - The Red and the Black by Stendhal - The Daughter of the Commandant by Aleksandr Sergeyevich Pushkin - Jane Eyre by Charlotte Brontë - David Copperfield by Charles Dickens - The History of Pendennis by William Makepeace Thackeray - Great Expectations by Charles Dickens - The Adventures of Huckleberry Finn by Mark Twain - What Maisie Knew by Henry James - Martin Eden by Jack London - Sons and Lovers by David Herbert Lawrence - A Portrait of the Artist as a Young Man by James Joyce - This Side of Paradise by Francis Scott Fitzgerald

Bildungsromans Anthology: A Selection Of Classic Coming-Of-Age Stories (Golden Deer Classics)

David Herbert Lawrence's 'The Rainbow' is a groundbreaking exploration of the complexities of human relationships, sexuality, and the quest for identity in England's early 20th century. Structured around the lives of three generations of the Brangwen family, the narrative weaves a rich tapestry of their emotional and spiritual struggles, set against the backdrop of a rapidly changing society. Lawrence's innovative prose, filled with vivid imagery and symbolic elements, reflects his deep connection to the natural world and the subconscious, while also engaging with themes of feminism and individualism that predate modernist literature. Lawrence, born in 1885 in a coal-mining town, was profoundly influenced by his working-class background and his personal experiences with love, sexuality, and social stratification. His own tumultuous relationships and his interest in the intersection of culture and human psychology led him to probe the intricate dynamics of life in 'The Rainbow'. This exploration ultimately confronted the societal norms of his time, resulting in a book that was considered controversial yet transformative in its candidness about desire and self-fulfillment. This novel is highly recommended for readers interested in early modernist literature and the evolution of social themes during the early 1900s. 'The Rainbow' invites you to embark on an introspective journey, challenging preconceived notions about gender, lineage, and personal freedom. Lawrence's masterful depiction of emotional landscapes renders this work an enduring classic that continues to resonate with contemporary readers.

The Rainbow

David Herbert Lawrence'Äôs "The Trespasser" is a profound exploration of the complexities of love, desire, and societal constraints in early 20th-century England. Set against the backdrop of a Midlands mining community, the narrative follows the passionate and tumultuous relationship between the protagonist, a young woman named Beatrice, and a married man. Lawrence's lyrical prose is interspersed with vivid, emotive imagery, capturing the raw intensity of human emotions. The novel reflects Lawrence's preoccupation with the clash between individual impulses and societal norms, foreshadowing the modernist themes that would dominate his later works. Born in 1885 in the industrial city of Nottingham, Lawrence'Äôs upbringing in a miner's family greatly informed his literary perspective. His early experiences with class struggle and the quest for personal freedom resonate throughout "The Trespasser." Lawrence was an outspoken critic of the repressive social structures of his time, which fueled his desire to delve into the intricacies of human intimacy and the often painful consequences of pursuing one's desires. Readers seeking a nuanced portrayal of love intertwined with the existential challenges of the human condition will find "The Trespasser" a compelling read. Lawrence'Äôs incisive character studies and richly drawn environments invite readers to reflect upon their own experiences of love and societal expectation, making this novel both timeless and relevant in its exploration of the human spirit.

The Trespasser

David Herbert Lawrence's "Sons and Lovers" delves into the complex relationships within a working-class family in early 20th-century England, primarily focusing on the tumultuous bond between Paul Morel and his emotionally manipulative mother, Gertrude. Employing a vivid and expressive literary style that blends naturalism with psychological depth, Lawrence explores themes of love, sexual tension, and the struggle for individuality. This seminal work, often regarded as an autobiographical reflection of Lawrence's own life, captures the essence of the industrial era, characterized by socio-economic constraints and familial pressures, weaving a narrative that transcends its time. David Herbert Lawrence, born in 1885 in Eastwood, Nottinghamshire, drew extensively from his own experiences and background as the son of a coal miner. His upbringing profoundly influenced the themes in "Sons and Lovers," where the conflict between aspiration and the emotional longevity of family loyalty is deeply examined. Lawrence'Äôs intimate understanding of the struggles of the working class and his acute awareness of psychological dynamics fueled his passion for creating complex characters, all of which resonate powerfully in this novel. I highly recommend "Sons and Lovers" to readers who seek not only a compelling narrative but also an insightful examination of human relationships and personal aspirations. Lawrence'Äôs exploration of love, emotional conflict, and social constraints makes this novel a timeless classic that remains relevant to modern audiences.

Sons and Lovers

David Herbert Lawrence's "The Rainbow" is a pioneering exploration of human sexuality and the intricacies of relationships set against the backdrop of early 20th-century England. Written in Lawrence's signature modernist style, the novel intertwines lyrical prose with rich symbolism, revealing the emotional and spiritual depths of its characters. Through the lives of three generations of the Brangwen family, the narrative delves into themes of individuality, love, and the clash between tradition and modernity, ultimately portraying the tension between personal desires and societal expectations. The seamless flow of the narrative invites readers into the vivid tapestry of rural life, challenging conventional moralities of the time. David Herbert Lawrence was an influential figure of the early 20th century, known for his candid examinations of human psychology and sexuality. Born in 1885 in the industrial Midlands of England, Lawrence's own experiences shaped his views on relationships and social structures. His observation of the rapidly changing world around him, coupled with his interest in psychosexual dynamics, provided fertile ground for the themes explored in "The Rainbow," which was initially met with controversy due to its frank portrayal of sexual relationships. Highly recommended for readers interested in modernist literature, "The Rainbow" offers profound insights into the complexities of love and identity, making it a timeless study of human experience. Lawrence's novel challenges readers to reflect on their own lives and relationships, making it an essential read for those curious about the intersection of art, sexuality, and societal norms.

David Herbert Lawrence'Äôs "Aaron's Rod" delves into the complexities of human relationships, sexuality, and the quest for self-identity through the life of its eponymous protagonist, Aaron Sisson. Set against the backdrop of post-World War I England, the narrative unfolds in an experimental style that intertwines poetic prose with vivid imagery, reflective of Lawrence's modernist influences. The novel explores themes of alienation, artistic aspiration, and sexual liberation, ultimately questioning the roles society imposes on individuals. As Lawrence constructs a rich tapestry of characters and their intertwined fates, he critiques the socio-political climate of his time, making this work a profound commentary on the human condition. David Herbert Lawrence, one of the most significant literary figures of the early 20th century, was acutely aware of the tensions between industrialization and personal freedom, having experienced a tumultuous upbringing in the mining town of Eastwood, England. This upbringing, along with his own struggles with societal norms and a fierce belief in individualism, fueled his desire to explore the depths of human psyches. "Aaron's Rod," published in 1922, marks a crucial stage in Lawrence's literary evolution as he boldly confronts the turmoil of modern life. Readers seeking a compelling exploration of the intricacies of desire and identity will find "Aaron's Rod" both challenging and rewarding. Lawrence's unique blend of realism and lyrical prose invites deep reflection on the nature of self and society, making this novel essential for anyone interested in the psychological and emotional dimensions of literature.

Aaron's Rod

The Virgin and the Gipsy - David Herbert Lawrence - The Virgin and the Gipsy is a short novel (or novella) by English author D.H. Lawrence. It was written in 1926 and published posthumously in 1930. Today it is often entitled The Virgin and the Gypsy which can lead to confusion because first and early editions had the spelling "Gipsy". The tale relates the story of two sisters, daughters of an Anglican vicar, who return from finishing school overseas to a drab, lifeless rectory in the East Midlands, not long after the World War I. Their mother has run off with another man, a scandal that is not talked about by the family, especially the girls' father, who was deeply humiliated and only remembers his wife as she was when they first met many years before. Their new home is dominated by a blind and selfish grandmother called "Mater" and her mean-spirited, poisonous daughter Aunt Cissie; there is also Uncle Fred, who lives a solitary life. The two girls, Yvette and Lucille, risk being suffocated by the life they now lead at the rectory. In particular, Yvette's desperation is compounded by the fact that she has "borrowed" a little money from a charity fund that her family manages. Her relationship with both her father and aunt suffer: She sees her father as a mean-spirited and cowardly person for the first time when he reacts savagely to her petty crime. But even so, the girls try their utmost every day to bring colour and fun into their lives. They go on outings with the Framleys, their neighbourhood friends. On one such outing, Yvette encounters a gipsy man and his family. She and the other girls have their fortunes told by the gipsy man's wife, a magnetic and strong woman who seems to see easily through them. The gipsy man also sees deeply into Yvette and the impression he makes on her this first time is unforgettable. This first meeting reinforces her disenchantment with the oppressive domesticity of the rectory. It also awakens in her a sexual curiosity she has not felt or thought much about before despite her having admirers. While on a second visit to the gipsy family, she befriends a married Jewish woman who has left her husband and who is now living with her paramour, impatiently waiting for her divorce to come through. Yvette does not pass judgment on anyone new she meets, neither the gipsy nor the Jewish woman, because she is young and modern-minded. But when her father finds out about this friendship, he threatens her with "the asylum", and Yvette realizes that, at his heart, her father too is mean-spirited, bigoted, provincial and shallow. Apparently, her father believes that one cannot associate with a wealthy divorced woman who is merely marrying a handsome man, who happens to be a war hero, as an excuse to dump her first and older husband. The novel has a surprise twist at the end. A huge flood surges through the vale, coming from a burst dam at a nearby reservoir. It just so happens that the gipsy man is approaching the rectory house. Nobody is at home but Yvette and her blind grandmother. In the nick of time, the brave gipsy man rescues Yvette despite the fact that the surprise flood washes most of the rectory away, drowning the grandmother. A moving scene ensues as the gipsy hero breathes life and warmth back into the virginal Yvette, who feels the powerful attraction of his manhood and strength. She falls asleep and the gipsy disappears. Her family returns home to find her safe, and they adulate the gipsy as her savior.

The Virgin and the Gipsy

Fantasia of the Unconscious - David Herbert Lawrence - I am not a proper archaeologist nor an anthropologist nor an ethnologist. I am no "scholar" of any sort. But I am very grateful to scholars for their sound work. I have found hints, suggestions for what I say here in all kinds of scholarly books, from the Yoga and Plato and St. John the Evangel and the early Greek philosophers like Herakleitos down to Fraser and his "Golden Bough," and even Freud and Frobenius. Even then I only remember hints--and I proceed by intuition. This leaves you quite free to dismiss the whole wordy mass of revolting nonsense, without a qualm.

Fantasia of the Unconscious

D. H. Lawrence's 1915 novel "The Rainbow" is the story of three generations of the Brangwens family. While tame by today's standards, "The Rainbow", for its frank treatment of human sexuality, caused Lawence to be prosecuted on an obscenity charge in England when it was first published. Through richly personal characterizations, "The Rainbow" deals profoundly with the very nature of human relations as it explores the sexuality of Ursula Brangwen and her mother, Anna Brangwen.

The Fox David Herbert Lawrence - Relationship between Ellen and Jill, the lesbian partners, complicates after Paul, a young man, enters their lives. His attraction towards Ellen arouses jealousy in Jill.

The Fox

David Herbert Lawrence's debut novel, "The White Peacock," intricately weaves the themes of nature, class, and identity against the backdrop of the English countryside. Written in a lyrical and impressionistic style, the narrative unfolds through the eyes of various characters, especially the spirited protagonist, Gerald, as he navigates his relationships within a class-divided society. The novel is a compelling exploration of human emotion and the struggle for connection, revealing the contrasts between the pastoral beauty of the natural world and the often-cynical realities of human relationships. Published in 1911, the book captures the transition from Victorian norms to the modernist thoughts that would dominate the early 20th century, propelling readers into a world where personal desires clash with societal expectations. Lawrence, raised in the coal-mining town of Eastwood, had firsthand experience of the socio-economic tensions that permeate his work. His upbringing in a working-class family and his deep appreciation for the natural world greatly influenced his writing. "The White Peacock" serves as both a critique of class structures and a reflection of Lawrence'Äôs own literary journey, marking his emergence as a key figure in modernist literature. Readers seeking a profound examination of love, nature, and societal pressures will find "The White Peacock" an essential addition to their literary repertoire. Lawrence's evocative prose invites readers to contemplate their own relations with the natural world and the complexities of human existence, ensuring the book's resonance across generations.

The White Peacock

“L’amante moderno” di David Herbert Lawrence segue le vicende di un uomo e una donna che, nonostante la passione che li unisce, dovranno affrontare le tensioni tra il desiderio di libertà individuale e le aspettative della società. Lawrence offre un’analisi profonda dei conflitti interiori, del desiderio e delle sfide che l’amore comporta in un mondo in rapida evoluzione.

L'amante moderno

La volpe è un'indagine toccante e psicologica sull'amore, l'identità e la ricerca della felicità. La trama ruota attorno a due donne, Jill Banford e Nellie March, che vivono insieme in una fattoria nella campagna inglese. Mentre la prima guerra mondiale infuria le due donne si trovano isolate dal mondo esterno e la loro relazione assume dimensioni complesse e intense. Le loro vite vengono sconvolte dall'arrivo di un soldato, Henry Grenfel, che introduce una tensione romantica e sessuale nella dinamica tra le due donne. David Herbert Lawrence, è stato un romanziere, poeta, saggista e critico letterario inglese. Nacque l'11 settembre 1885 a Eastwood, Nottinghamshire, in Inghilterra, e morì il 2 marzo 1930 a Vence, in Francia. Lawrence è meglio conosciuto per i suoi romanzi che esplorano temi di relazioni emotive e sessuali, individualismo e connessione tra umanità e natura. Traduzione di Carlo Linati.

La volpe

Wydana w drugiej połowie lat 20. XX wieku powieść obyczajowa "Kochanek Lady Chatterley" przedstawia historię romansu angielskiej arystokratki z ubogim leśniczym. Książka spotkała się z ostrą krytyką cenzorów i wywołała skandal w purytańskim społeczeństwie Anglii. Lawrence ukazuje w powieści namiętne i zmysłowe uczucie w pozbawiony pruderii i niezwykle odważny sposób. Obszerne opisy scen erotycznych pozwalają autorowi ukazać piękno ciała ludzkiego i miłości fizycznej.

Kochanek lady Chatterley

Los seis reveladores ensayos recogidos en el presente volumen, compuestos durante el primer tercio del siglo XX, brindan la siempre personalísima visión de su autor sobre cuestiones universales, ya se trate de amar, de vivir la vida con conciencia y plenitud o de conocer y conocerse en el sentido más esencial del término; textos que se adentran sin ambages en el ámbito de la filosofía, la religión y el arte, que a la par plantean su propio abanico de respuestas, iluminan las sendas por las que deambula la confundida humanidad.

Biblioteca de Ensayo / Serie menor

El amor es la felicidad del mundo

"Tag en lite gruvstad som Woodhouse med en befolkning på tiotusen människor och tre generationer bakom sig." Flickan som sjönk (1920) heter Alvina och är en väluppfostrad engelsk familjeflicka, men längst inne i hennes ögon finns en underligt spefull glimt som skrämmer bort småstadens unga kavaljerer. Efter en uppslagen förlovning beslutar hon sig för att bli något så chockerande som barnmorska. Men så möter hon Cicio, en italiensk varitéartist utan bildning, men en man.

Flickan som sjönk

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