In January 1817, Jane Austen commenced work on a new novel, to which she never assigned a name. By mid-March, she had completed twelve chapters, at which time she ceased working due to illness. The unfinished work was eventually published in 1925 under its working title: Fragment of a Novel Written by Jane Austen, January–March 1817. It has since become known simply as Sanditon, and a number of completions by other authors have since been published. Mr. and Mrs. Parker are visiting Sanditon, a village on the coast of Sussex. Unfortunately, Mr. Parker suffers an injury but he receives assistance from a local farmer, Mr Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors, including the son of local patron, Lady Denham. Lady Denham is very keen to find a suitable match for her son Sir Edward—one of Charlotte’s suitors. Accordingly, she seeks an introduction with a Miss Lambe, a wealthy young heiress from the West Indies who is to take lodgings at Sanditon. Meanwhile, Charlotte finds herself attracted to the witty and debonair Sydney. The narrative ceases at this point, with little indication about the final results of the various romantic encounters. However, it appears clear that Charlotte is intended to be the heroine of the story.

Sanditon

Persuasion was the last novel completed by Jane Austen and was first published posthumously in December, 1817. The story represents an interesting configuration of Austen’s characteristic narrative patterns. The heroine, Anne Eliot, is something of an old maid—she is twenty-seven years old, still single and is considered by family and friends to have lost her youthful beauty. Several years earlier, her engagement to Captain Frederick Wentworth had been broken off, due to the insistence of her family that the Captain lacked the wealth and status needed in a suitable husband. Due to the improvidence of Anne’s snobbish father, Sir Walter Elliot, it becomes necessary to rent out the family estate at Kellynch Hall. The Elliots take up residence in Bath. Anne and Frederick meet again, and Anne is faced with a difficult choice between suitors: should she align herself with the honest and upright but socially awkward Frederick Wentworth? Or with her charming, wealthy, and devious cousin, William Elliot?

Persuasion

The world we know has turned upside-down. Everything we've taken for granted changed before there was time to take stock. We have to adjust. To adapt. To survive. For some this brings a sense of helplessness. Others feel grief and anger. All of us are affected. Simple Words for Troubled Times is written from the heart to help you find comfort and relief from the challenges of modern times. Each short chapter addresses a different means to rebuild hope, rediscover self-belief, reinforce your personal power, and redirect fears into courage. There is no greater power than a simple word of hope.

Simple Words for Troubled Times

Much Ado About Nothing appears to have been written around 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the sombre tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage. The odd man out is the sinister Don John, brother and former enemy of Don Pedro, Prince of Aragon, but recently restored to the Prince’s favour. Being of a morose and jealous temperament, Don John plots to disrupt the wedding and cause division between the lovers, with the aid of his fellow conspirators, Borachio and Conrade. However, this evil plan is thwarted by an unexpected incursion by the bumbling constables Dogberry and Verges. The young couple are finally reunited, but only after Claudio has first been led to believe that his rejected spouse, Hero, has died of shame and grief. The matching of Beatrice and Benedick, encouraged by some artful chicanery by Hero and Claudio, and marked by many witty and sardonic exchanges of repartee, serves to lighten the texture of the darker elements of the action. Featuring Emma Faye as Hero, Kendra Murray as Beatrice, Dara Brown as Claudio, Lillian Rachel as Benedick, Cate Barratt as Dogberry, and Gary Macfadden as Don John. Also featuring the voices of Catherine Bilson, Ron Altman, Alan Weyman, P J Morgan, Claudio Anglade, John Burlinson and Linda Barrans. Songs arranged by Alan Weyman Audio edited by Denis Daly Text kindly provided by playshakespeare.com

Much Ado About Nothing

The unlikely heroine of this novel is the bashful and unadventurous Fanny Price, who occupies a Cinderella-like position in the residence of her wealthy cousins, the Bertrams, at Mansfield Park. Fanny is the butt of ridicule for the young Bertram sisters (Maria and Julia), and is relentlessly bullied by her manipulative and penny-pinching aunt, the widowed Mrs Norris. Maria, Julia, and their brother Tom are symbols of social irresponsibility, while their brother Edmund, is earnest and upright. Although Sir Thomas Bertram’s wealth is derived largely from a sugar plantation in the West Indies, Austen largely avoids discussion of slavery and other evils of colonialism. The young Bertrams form a close friendship with the dashing and unscrupulous Henry Crawford, and his glamorous sister Mary. Henry decides to pursue Fanny with a view to marriage, but she, discerning his devious nature, resists all his advances. After a visit to her family in Portsmouth, Fanny returns to Mansfield Park and finds herself attracted to the worthy Edmund, who is recovering after being rejected by Mary Crawford. Interestingly, Mansfield Park features the abortive amateur production of a popular sentimental drama, Lovers’ Vows, planned by members and friends of the Bertram family while Sir Thomas is absent in the West Indies. His unexpected return brings these plans to an abrupt halt. This audiobook recording also includes a multicast presentation of Lovers’ Vows. In Lovers’ Vows, the widowed Baron Wildenheim, by a twist of circumstances, comes into contact with a poor woman whom he had abandoned while a young man. The Baron has since married a wealthy woman and they have a daughter, Amelia. Unbeknownst to the Baron, his first relationship resulted in the birth of a son. He now has to decide how he is to acknowledge his new-found son and the young man’s mother. At the time of its publication, the plot was considered controversial because it centered on the issue of illegitimate children.

Mansfield Park and Lovers’ Vows

This epistolary novel was probably written in 1794, but was not published until 1871. Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself. The forty-one letters between the various parties in this tale of twisted courtship describe Lady Susan’s path to marital satisfaction for her daughter and herself.

Lady Susan

This collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies. Contents A Midsummer Night’s Dream All’s Well That Ends Well Twelfth Night Much Ado About Nothing The Comedy of Errors As You Like It Measure for Measure The Merchant of Venice Featuring the voices of:Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary D. MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, and Trisha Rose. Texts kindly provided by playshakespeare.com Songs created and arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly

Eight Shakespeare Comedies

Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction. Meanwhile, a wealthy gentlewoman, Portia, must choose a suitor using a curious ritual mandated by her father’s will. Applicants must choose from three locked caskets, one of which contains a picture of Portia. He who chooses the casket with the picture will wed Portia immediately; the unsuccessful applicants will cease courting not only Portia, but all prospective partners. Portia’s preferred suitor is a young Venetian, Bassanio, who is a close friend of Antonio. Antonio’s ships fail to arrive in time to satisfy his debt to Shylock and Antonio is hauled into court. In a male disguise, Portia appears in court to represent Antonio. Will her skillful representation free Antonio from Shylock’s demands? Written between 1596 and 1598 and published in 1600, The Merchant of Venice most notably touches on the troubling subject of antisemitism. While critical debate rages about Shakespeare’s actual attitudes toward Jewish culture, it is difficult to deny that the eventual fate of Shylock is not in accord with today’s view of social justice. Featuring the voices of Denis Daly, Catherina Bilson, Alexandra Lee Smith, Gary D. Macfadden, Blaise Doran, Graham Scott, Roberta Jackson, Josh Innerst, Simon Paxton, Alan Weyman, Emma Faye and Marty Krz.

The Merchant of Venice

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love with a glamorous but unscrupulous adventurer, Willoughby. Elinor sees trouble brewing but the enraptured Marianne does not. The sisters question each other’s choices in love. More than in her other novels, Austen here includes portraits of ill-matched couples, such as the avaricious Fanny Dashwood and her hen-pecked husband John; and the daffy Charlotte Palmer and her gloomy and contemptuous spouse. Perhaps Austen here suggests that, while marriage seems inevitable for most people, conjugal happiness can be much harder to find. Sense and Sensibility (written by ‘a lady’) was first published in 1811. It is a complete re-writing of Austen’s earlier epistolary novel, Elinor and Marianne.

Sense and Sensibility

A widowed single mother hiding from the world. The man who will teach her to love again. Lydia Taylor's roof is leaking, her chickens have run amuck, and the rent is due. When her daughter falls ill, she faces it as she does all challenges--alone. The last person she needs at her door is handsome schoolteacher, Alfred Lowe. His disapproving gaze seems to penetrate her façade of a respectable widow and capable mother. To achieve his dream of his own school, Alfred Lowe needs to marry a wealthy lady. But from the moment impoverished Lydia Taylor fell at his feet, he's been inconveniently attracted to her. What begins as a duty to aid his ill pupil's mother soon becomes much more complicated. Maybe even . . . love? But amongst kisses, tears, and savory pies, the past creeps into the present, casting a long shadow. If they risk love, they both could lose everything they've ever wanted.

Fallen

Once a Fallen Lady

Jane Austen probably commenced writing The Watsons in 1803 and discontinued it after her father’s death in 1805. The original text contains no chapter divisions. It was first published in 1871 as an appendix to A Memoir of Jane Austen, by the novelist’s nephew, James Edward Austen-Leigh. The story concerns the young and vivacious Emma Watson, one of six children of a widowed clergyman. Emma has spent most of her life under the care of a wealthy aunt of liberal views, and has received a good education. However, when her aunt enters into a second marriage, Emma is forced to return to the family home, where she is affronted by the crass hunting for husbands undertaken her sisters, Penelope and Margaret. Emma herself attracts the notice of local nobleman, Lord Osborne, and also of Mr. Howard, vicar of the nearby parish church. The sisters are invited to visit the home of their brother, Robert, an attorney in Croydon, but Emma refuses to join them. The original text concludes at this point. Several completions of the novel have been composed after the author’s death. The first appeared in 1850, and was written by her niece, Catherine Hubback, who expanded the story into a three volume novel entitled, The Younger Sister. In 1923, the completion by L. Oulton was published. And in 1928, another completion appeared, this time written the granddaughter of Catherine Hubback, Emily Brown, and her husband Francis Brown. In the version completed by Oulton, the narrative concludes with a resolution fairly typical of an Austen novel. However, the full text is considerably shorter than any of the novels completed by the Austen. There has been much speculation as to why Austen discontinued writing the novel. One surmise is that the author may have felt the narrative was uncomfortably close to the events of her own life.

The Watsons

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