From 1960s Italy to present-day Ireland, Ripeness is a haunting, luminous tale of love, grief, and the lifelong search for where we truly belong, from Sarah Moss, bestselling author of Summerwater. 'Moss makes every moment count' - The Sunday Times 'The achievement of a lifetime' - Jessie Burton 'A book of lasting pleasures' - Eleanor Catton 'A powerful and beautifully written story of family, friendship and identity' - Guardian Just out of school and teetering on the brink of adulthood, Edith is sent alone to rural Italy. Her task is simple: support her sister Lydia, a brilliant but brittle ballet dancer, through the final weeks of her pregnancy. Once the child is born, she is to make a phone call that will change all of their lives forever. Decades later, Edith is living a contented life in Ireland, happily divorced and unexpectedly free. But when her friend Méabh receives a call from a stranger claiming to be her brother, everything shifts. As Méabh confronts a history she never knew she had, Edith is pulled back into the long-buried story of the baby she once held, and lost. 'Tender and rueful . . . Sarah Moss is a marvel of insight and eloquence' - Emma Donoghue 'One of our greatest living writers' - Katherine May, author of Wintering Praise for Sarah Moss: 'Throws much contemporary writing into the shade' - Hilary Mantel ‘One of our very best contemporary novelists’ - Independent 'A brilliant mind' - The Guardian 'Moss has quietly been putting out some of the most interesting and carefully sculpted novels of recent years' - Financial Times 'One of the finest contemporary writers working in Britain today' - Stylist 'Is Sarah Moss the best British writer never nominated for the Booker?' - Daily Mail 'Nothing escapes her sly humour and brilliant touch' - Jessie Burton 'The most brilliant writer. She deserves to win all the prizes' - Joanna Trollope

Ripeness

'Extraordinary . . . Moss is a towering figure in the contemporary literary landscape' - The Daily Telegraph ‘Devastating, funny . . . a brave and important book’ - Melissa Harrison 'Full of daring . . . revelatory' - The Observer 'An observational masterpiece' - The i A memoir about thinking and reading, eating and denying your body food, about the relationships that form us and the long tentacles of childhood. In the household of Sarah Moss's childhood she learnt that the female body and mind were battlegrounds. 1970s austerity and second-wave feminism came together: she must keep herself slim but never be vain, she must be intelligent but never angry, she must be able to cook and sew and make do and mend, but know those skills were frivolous. Clever girls should be ambitious but women must restrain themselves. Women had to stay small. Years later, her self-control had become dangerous, and Sarah found herself in A&E. The return of her teenage anorexia had become a medical emergency, forcing her to reckon with all that she had denied her hard-working body and furiously turning mind. My Good Bright Wolf navigates contested memories of girlhood, the chorus of relentless and controlling voices that dogged Sarah’s every thought, and the writing and books in which she could run free. Beautiful, audacious, moving and very funny, this memoir is a remarkable exercise in the way a brain turns on itself, and then finds a way out. From Sarah Moss, the Sunday Times bestselling author of Summerwater, My Good Bright Wolf is a memoir like no other. 'Without a doubt, one of our greatest living writers' - Katherine May 'Compulsive and compelling' - Emilie Pine ‘Confronts what it means to be a woman trying to find a way to be’ - Jan Carson 'Moss writes so compassionately about human frailty while her own work is as close to perfect as a novelist’s can be' - The Times

My Good Bright Wolf

The Sunday Times Top Ten Bestseller 'Superb' The Times 'Sharp, searching . . . utterly of the moment' Hilary Mantel, author of Wolf Hall 'So accomplished' Guardian 'A masterpiece' Jessie Burton, author of The Miniaturist 'One of her best' Irish Times 'Beautifully written, intense, powerful' David Nicholls, author of Sweet Sorrow From the acclaimed author of Ghost Wall, Summerwater is a devastating story told over twenty-four hours in the Scottish highlands, and a searing exploration of our capacity for both kinship and cruelty in these divided times. On the longest day of the summer, twelve people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisce about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. One particular family, a mother and daughter without the right clothes or the right manners, starts to draw the attention of the others. Tensions rise and all watch on, unaware of the tragedy that lies ahead as night finally falls. Longlisted for the Orwell Prize for Political Fiction 2021. ‘Nothing escapes her sly humour and brilliant touch. Deft and brimming with life, Summerwater is a novel of endless depth. A masterpiece.’ Jessie Burton, author of The Miniaturist 'Summerwater may be her best so far.' The Times 'This latest display of Moss’s imaginative versatility shine[s] with intelligence' Sunday Times

Summerwater

Acclaimed author of Summerwater and Ghost Wall, Sarah Moss is back with a sharply observed and darkly funny novel for our times. 'A tense page turner . . . I gulped The Fell down in one sitting' - Emma Donoghue 'Gripping, thoughtful and revelatory' – Paula Hawkins 'This slim, intense masterpiece is one of my best books of the year' - Rachel Joyce 'Her work is as close to perfect as a novelist’s can be' The Times At dusk on a November evening in 2020 a woman slips out of her garden gate and turns up the hill. Kate is in the middle of a two-week quarantine period, but she just can’t take it any more – the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know. But Kate’s neighbour Alice sees her leaving and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk – a breath of open air – falls and badly injures herself. What began as a furtive walk has turned into a mountain rescue operation . . . Unbearably suspenseful, witty and wise, The Fell asks probing questions about the place the world has become since March 2020, and the place it was before. This novel is a story about compassion and kindness and what we must do to survive, and it will move you to tears. The Times audiobook of the week. ‘One of our very best contemporary novelists’ – Independent

The Fell

From warrior queens to King Arthur, this epic collection explores the tribes, rulers and civilisations of Britain's Iron Age In the first millennium BC, the Iron Age arrived in Britain, bringing with it huge technological and social changes. New civilisations arose, the landscape was transformed, and societies developed new cultures and lifestyles. In this comprehensive collection, we take an in-depth look at Iron Age Britain and its inhabitants. The Essay: Unearthing Britannia's Tribes takes us on a 15-part 'woad trip' from the western reaches of Cornwall to the wilds of Scotland and Wales, as archaeologists, historians and writers reveal the peoples of ancient Albion and those who encountered them. We meet Queen Cartimandua, King Arthur, Boudicca, Pytheas and Lindow Man; hear the stories of the Cantiaci, the Demetae, the Durotriges and the Druids; and probe their myths, ideas and characters. Reaching journey's end, we learn how tribal Britain succumbed and was integrated into the Roman world. With the arrival of Caesar's armies, nothing would be the same again... Bookending this fascinating series are three episodes from In Our Time, unpacking the context behind this pivotal period of history. In the first programme, Melvyn Bragg and guests discuss the transition from Bronze to Iron and the dawning of the European Iron Age; while the second and third examine the legacy of both the prehistoric Celts and their ultimate conquerors, the Romans, analysing their lasting impact on Britain today. Production credits In Our Time presented by Melvyn Bragg Produced by Thomas Morris The Essay: Unearthing Britannia's Tribes presented by David Miles, Caradoc Peters, Melanie Giles, Nicki Howarth-Pollard, Menna Elfyn, Ilka Tampke, David Greig, Ron Hutton, Mandy Haggith, Miles Russell, Sarah Moss and Guy de la Bédoyère Produced by Ellie Bury and Mark Burman First broadcast on BBC Radio 4 (In Our Time) and BBC Radio 3 (The Essay) on the following dates: Part I: Context In Our Time: The Iron Age 24 March 2011 With Barry Cunliffe, Sue Hamilton and Timothy Champion Part II: Unearthing Britannia's Tribes The Cantiaci 17 January 2022 Cornwall 18 January 2022 The Parisi 19 January 2022 Queen Cartimandua & the Brigantes 20 January 2022 The Demetae 21 January 2022 Boudicca-Warrior Queen 24 January 2022 The Maeatae 25 January 2022 In Search of The Druids 26 January 2022 Pytheas and the Iron Sea 27 January 2022 Arthur Begins 28 January 2022 Lindow Man 14 February 2022 The Roman Orbit 15 February 2022 The Atrebates 16 February 2022 The Durotriges 17 February 2022 Maidens, Matriarchs and Crones 18 February 2022 Part III: Iron Age Culture In Our Time: The Celts 21 February 2002 With Barry Cunliffe, Alistair Moffat and Miranda Aldhouse Green Part IV: Roman Invasion and Occupation In Our Time: Roman Britain 1 May 2003 With Greg Woolf, Mary Beard and Catharine Edwards © 2023 BBC Studios Distribution Ltd. (P) 2023 BBC Studios Distribution Ltd.

Unearthing Britannia's Tribes

Adam Goldschmidt lebt als hauptberuflicher Vater, nebenberuflicher Dozent und Ehemann einer überarbeiteten Ärztin in einem Vorort von Coventry. Seine Tage drehen sich um schmutzige Wäsche, vitaminreiche Ernährung und pädagogisch wertvolle Kindergeburtstage. Doch dann kommt der Morgen, an dem er einen Anruf aus der Schule seiner Töchter erhält. Er beginnt mit den Worten, von denen ein jeder hofft, sie niemals hören zu müssen: "Es ist etwas passiert". Sensibel, humorvoll und mit einer Intensität, die unter die Haut geht, erzählt Sarah Moss von den Absurditäten eines Familienalltags in Großbritannien, von der Liebe zwischen Eltern und ihren Kindern, vor allem aber von den Momenten, die uns die Zerbrechlichkeit des Lebens vor Augen führen.

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